List of Poetry Group

List of verse concourses and sweats From Wikipedia, the free encyclopedia Jump to navigation, search The ex ampereles and perspective in this oblige whitethorn non represent a world-wide visual sense of the subject. Please reform this subterfugeicle and discuss the issue on the rebuke page. (November 2011) rime concourses and sweats or tutors may be self-identified by the poets that take shape them or be by critics who see unifying characteristics of a body of work by more than one poet. To be a trail a theme of poets must sh atomic number 18 a common style or a common ethos.A commonality of form is not in itself sufficient to define a school for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply beca work they all(a) wrote limericks. There are m whatsoever dia deliberate schools of rime. Some of them are described down the stairs in approximate chronological sequence. The subheadings prefigure broadly the blow in which a sty le arose. table of contents * 1 prehistorical * 2 Sixteenth blow * 3 S unconstipatedteenth blow * 4 18th century * 5 Nineteenth century * 6 Twentieth century * 7 Alphabetic joust * 8 References PrehistoricThe ad-lib customs is too broad to be a strict school notwithstanding it is a useful assemblageing of kit and caboodle whose origins either predate writing, or perish to cultures without writing. Sixteenth century The Castalian Band. Seventeenth century The Metaphysical poets The Cavalier poets The Danrin school eighteenth century unequivocal rhyme echoes the forms and determine of classical antiquity. Favouring formal, restrained forms, it has recurred in sundry(a) Neoclassical schools since the eighteenth century Augustan poets such as Alexander Pope.The near recent resurgence of Neoclassicism is religious and politically reactionary work of the similars of T. S. Eliot. Romanticism started in late 18th century western sandwich Europe. Wordsworths and Coleridges 1 798 way out of Lyrical Ballads is considered by more or less as the first important publication in the movement. Romanticism stressed blotto emotion, imagination, freedom within or even from classical notions of form in art, and the rejection of set up social conventions. It stressed the importance of spirit in language and celebrated the achievements of those comprehend as heroic individuals and artists.Romantic poets allow in William Blake, William Wordsworth, Samuel Taylor Coleridge, noble Byron, Percy Bysshe Shelley, and legerdemain Keats (those previous six sometimes referred to as the large(p) Six, or the Big Five without Blake) other Romantic poets involve James Macpherson,Robert Southey, and Emily Bronte. Nineteenth century Pastoralism was earlier a Hellenistic form, that romanticized rural subjects to the elevation of unreality. Later untaught poets, such as Edmund Spenser, Christopher Marlowe, and William Wordsworth, were inspired by the classical pastoral po ets.The Parnassians were a group of late 19th-century cut poets, named after their journal, the Parnasse contemporain. They intromitd Charles Leconte de Lisle, Theodore de Banville, Sully-Prudhomme, Paul Verlaine, Francois Coppee, and Jose maria de Heredia. In reaction to the looser forms of romantic verse, they strove for select and faultless workmanship, selecting exotic and classical subjects, which they handle with rigidity of form and emotional detachment. symbolism started in the late nineteenth century in France and Belgium.It include Paul Verlaine, Tristan Corbiere, Arthur Rimbaud, and Stephane Mallarme. Symbolists believed that art should aim to capture more out-and-out(a) truths which could be accessed only by confirmative methods. They use extensive metaphor, endowing particular images or objects with symbolic meaning. They were hostile to plain meanings, declamations, turned sentimentality and matter-of-fact description. Modernist poem is a broad term for poet ry written between 1890 and 1970 in the tradition of Modernism. indoctrinates within it include Imagism and the British numbers Revival.The Fireside Poets (also known as the schoolroom or Household Poets) were a group of 19th-century American poets from unused England. The group is normally described as comprising Henry Wadsworth Longfellow, William Cullen Bryant, John Greenleaf Whittier, James Russell Lowell, and Oliver Wendell Holmes, Sr.. Twentieth century The Imagists were (predominantly young) poets works in England and America in the proterozoic twentieth century, including F. S. Flint, T. E. Hulme, and Hilda Doo runty (known primarily by her initials, H. D. ).They rejected Romantic and Victorian conventions, favoring precise imaginativeness and clear, non-elevated language. Ezra Pound formulated and promoted many precepts and ideas of Imagism. His In a Station of the Metro (Roberts & Jacobs, 717), written in 1916, is often used as an example of Imagist poetry The sha dow of these faces in the crowd Petals on a wet, black bough. The Objectivists were a loose-knit group of second-generation Modernists from the 1930s. They include Louis Zukofsky, Lorine Niedecker, Charles Reznikoff, George Oppen, Carl Rakosi, and Basil Bunting.Objectivists treated the poem as an object they stressed sincerity, intelligence, and the clarity of the poets vision. The Harlem renascence was a cultural movement in the 1920s involving many African-American writers from the refreshful York Neighbourhood of Harlem. The Beat generation poets met in newly York in the 1940s. The core group were Jack Kerouac, Allen Ginsberg, and William S. Burroughs, who were joined later by Gregory Corso. The Confessionalists were American poets that emerged in the 1950s. They drew on personal history for their artistic inspiration.Poets in this group include Sylvia Plath, Anne Sexton, John Berryman, and Robert Lowell. The New York School was an informal group of poets active voice in 1950 s New York metropolis whose work was said to be a reaction to the Confessionalists. Some major figures include John Ashbery, Frank OHara, James Schuyler, Kenneth Koch, Barbara Guest, Joe Brainard, Ron Padgett, Ted Berrigan and calling card Berkson. The stark volume poets (also known as the Projectivists) were a group of mid 20th century postmodern poets associated with shadowy atomic pile College in the United States.The San Francisco spiritual rebirth was initiated by Kenneth Rexroth and Madeline Gleason in Berkeley in the late 1940s. It included Robert Duncan, Jack Spicer, and Robin Blaser. They were consciously data-based and had close links to the Black weed and Beat poets. The Movement was a group of side writers including Kingsley Amis, Philip Larkin, Donald Alfred Davie, D. J. Enright, John Wain, Elizabeth Jennings and Robert Conquest. Their tone is anti-romantic and rational. The continuative between the poets was described as little more than a negative decisivenes s to avoid bad principles. The British Poetry Revival was a loose movement during the 1960s and 1970s. It was a Modernist reaction to the conservative Movement. The Hungry generation was a group of about 40 poets in watt Bengal, India during 19611965 who revolted against the colonial canons in Bengali poetry and wanted to go back to their roots. The movement was spearheaded by Shakti Chattopadhyay, Malay Roy Choudhury, Samir Roychoudhury, and Subimal Basak. The Martian poets were incline poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid.Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to bring on the grip of the familiar in English poetry, by describing ordinary things as if by means of the eyes of a Martian. The address poets were avant garde poets from the stomach quarter of the 20th century. Their approach started with the modernist emphasis on method. They were reacting to the poetry of the Black plug and Beat poets. The poets included Leslie Scalapino, Bruce Andrews, Charles Bernstein, Ron Silliman, Barrett Watten, Lyn Hejinian, Bob Perelman, Rae Armantrout, Carla Harryman, Clark Coolidge, Hannah Weiner, Susan Howe, and Tina Darragh.The New formalism is a late-twentieth and early twenty-first century movement in American poetry that promotes a return to metrical and rhymed verse. Rather than seeking to the Confessionalists, they look to Robert Frost, Richard Wilbur, James Merrill, Anthony Hecht, and Donald Justice for poetic influence. These poets are associated with the West Chester University Poetry Conference, and with literary journals like The New Criterion and The Hudson Review. Associated poets include Dana Gioia, herds grass Steele, Mark Jarman, Rachel Hadas, R. S.Gwynn, Charles Martin, Phillis Levin, Kay Ryan, Brad Leithauser. Alphabetic list This is a list of poetry groups and movements. * Absurdism * Aestheticism * Black Arts Movement * capital of Egypt poets * Chhayav aad * Classical Chinese poetry * Crescent daydream Society * cyclic Poets * Dadaism * Danrin school * Deep image * Della Cruscans * Dymock poets * Fugitives (poets) * propagation of 27 * Georgian poets * Goliard * Graveyard poets * The Group (literature) * Harlem conversion * Harvard Aesthetes * Heptanese School (literature) * LakePoets * La Pleiade * Los Contemporaneos * brumous Poets * Modern Chinese poetry * Negritude * Net-poetry * New Apocalyptics * Nijo poetic school * Others (art group) * Oulipo * Poetic transrealism * Rhymers Club * Rochester Poets * Scottish renascence * Sicilian School * Poetry thrash * Sons of Ben * Southern Agrarians * fitful poets * Spectrism * Surrealist poets * The poets of Elan * Uranian poetry References This article does not cite any references or sources. 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